The film “Yes Man” invites exploration of our “default switches,” which serve as defensive strategies. Some of us tend to comply and accommodate by always saying yes. Others tend to rebel and shut down to new experiences by always saying no. Neither rebelling (by an automatic No) nor complying (by an automatic Yes) are real ways of establishing either independence in the first case or closeness in the second. Rebelling mimics autonomy and compliance mimics merging.