Elyn Saks (photo at right in Part 1) is a law professor at USC; an adjunct professor of psychiatry at UC San Diego, where she does research about society’s rejection of the mentally ill and how high-functioning schizophrenics cope; and is a recipient of a “genius” grant from the MacArthur Foundation.
An article notes “She kept her schizophrenia hidden while excelling in her academic studies, receiving a philosophy degree from Oxford University and a law degree from Yale University.”
She wrote of her experiences in her memoir, “The Center Cannot Hold: My Journey Through Madness.”
See more in post: Elyn Saks, Schizophrenia and Creativity.
She has commented, “Ironically, the more I accepted I had a mental illness, the less the illness defined me — at which point the riptide set me free.”
As devastating as schizophrenia can be, a number of people with the mental illness lead active and creative lives. Some research even indicates the type of thinking that characterizes the disorder can facilitate creativity.
“I push people beyond what’s expected of them. I believe that is an absolute necessity.”
How much does forceful mentoring help students achieve excellence, and when does it become abusive?
Those issues are part of the movie Whiplash, apparently named after the jazz standard by Hank Levy.
The quote above is by acclaimed teacher Terence Fletcher (JK Simmons) at a music school reputed to be “one of the best in the country,” explaining his teaching approach to one of his star pupils, Andrew (Miles Teller), who idolizes jazz drummer Buddy Rich, and has aspirations to also be “one of the greats.”
One of the myths of creative and multitalented people may be that they can choose whatever personal and career paths they want.
Having many interests and abilities can make for a rich and satisfying life, but also be a source of stress, especially at crossroads like choosing college majors.
Gifted education specialist Tamara Fisher quotes Bryant (a pseudonym), a graduating senior who lists his possible future careers as “applied psychologist, scientific psychologist, college teacher, philosophy, mathematics, architect, engineer.”
“The very impulse to write, I think, springs from an inner chaos crying for order, for meaning, and that meaning must be discovered in the process of writing or the work lies dead as it is finished.” Arthur Miller
Creative people and writers about the creative process often say creative work is a way to release or make use of inner chaos; what is this turmoil?
Psychologist Stephen Diamond declares in his book that our impulse to be creative “can be understood to some degree as the subjective struggle to give form, structure and constructive expression to inner and outer chaos and conflict.”
“I’ve suffered enough. When does my artwork improve?” Refrigerator magnet
The tortured artist mythology is an ancient and enduring one: The idea that art depends on suffering, and artists need to be suffering with dark emotions, and need their pain to create.
But that is a wrong and destructive idea.
For example, in his appearance as a guest on The Ellen Show, Colin Farrell said he is more creative being sober and happy.
“I ascribed to the notion that to express yourself as an artist, you have to live in perpetual pain. And that’s nonsense.”
Musician Sting also said he bought into this myth for a long time:
[Continued from Part 1]
As Dr. Webb explains “Existential depression is a depression that arises when an individual confronts certain basic issues of existence… (or ‘ultimate concerns’) – death, freedom, isolation and meaninglessness.”
His related book: Searching for Meaning: Idealism, Bright Minds, Disillusionment, and Hope.
Webb has written extensively about how characteristics of giftedness that are a part of so many people – including well-known artists such as Robin Williams – are often misdiagnosed.
The tone of a number of responses to the suicide of Robin Williams seem based in the insidious “Crazy Artist” mythology: that artistic creativity depends on mental disorder.
A number of people have expressed the idea that his brilliance and creative comic energy were fueled by his “demons” including addiction and bipolar depression.
One example was columnist Meghan Daum, who wrote: “As an actor and a comic, his emotional pendulum swung in a wide arc between manic ebullience and almost Zen-like sincerity.
“And the ease with which he occupied both realms…must surely be a kind of bipolar magic.”
Photographic images can be a powerful form of expression for creative people, and also a tool for therapists and anyone to help explore our inner selves.
This image by artist Jennifer Moon is titled “A Story of a Girl and a Horse: The Search for Courage.”
A news article about an installation of her photographs, sculpture and text-based works at UCLA Hammer Museum’s “Made in L.A. 2014″ biennial, describes the piece as a “self-portrait, a chromogenic digital photo [that] depicts Moon on a chocolate brown horse, leaping over a bed of clouds shot through with electricity, as if she were riding a flying Unicorn.”
One kind of pressure is feeling an intense urge to create; it is probably an inherent part of being a creative person.
But other pressures can lead to stress and overwhelm, and being pulled away from the joys of creating.
Annemarie Roeper (founder of the Roeper School and The Roeper Review, a professional journal on the gifted) wrote about this intense inner pressure to create as a characteristic of high ability people – but you may experience this even if you are not “technically” gifted:
“Gifted adults may be overwhelmed by the pressure of their own creativity. The gifted derive enormous satisfaction from the creative process.