How does our self concept, our identity, affect creative expression?
How do we find creative passions and how does pursuing them demand changes in our life?
One example of an artist who has addressed these questions is Natalie Fobes.
A bio on her site summarizes some of her personal journey and work:
“Not many photographers have faced winds of 90 knots and seas of 40 feet while on a fishing boat in the middle of the Bering Sea.
“Few can describe the bitter cold of a Siberian winter while camped out with Chukchi reindeer herders. Or say that their first client was National Geographic Magazine.
One of the themes of creativity research, and many psychologists and creativity coaches, is how crucial beliefs and attitudes are in developing our creative abilities.
Psychologist Heidi Grant Halvorson talks in the audio clip below about the prevalent idea of ‘genius’ for whether someone can be creative – or even aspire to be.
She also writes about focus and creating, and that “to be a successful creative, you need to not only be a good generator, but also a good evaluator. The problem is that in practice, it’s remarkably hard to be both.
Even very talented people may experience fraud or impostor feelings, which can lead to insecurity about their abilities, despite their accomplishments.
“I always feel like something of an impostor. I don’t know what I’m doing.”
Jodie Foster made that comment in her acceptance speech as recipient of the Sherry Lansing Leadership Award several years ago.
A highly accomplished actor, director and producer, Foster also said, “I suppose that’s my one little secret, the secret of my success.”
From my article: Jodie Foster on impostor feelings and faking it.
What leads, urges, even compels so many of us to be creatively expressive?
Given that everyone is creative to some degree, why do many people choose careers in the arts, or work that actively engages their creativity?
Most of us will never be actors or other filmmakers – especially ones that are seen and acknowledged publicly – but many of those creators talk about what calls them to engage in creative work, despite the challenges.
One example: Lupita Nyong’o, who won an Academy Award for best supporting actress on March 2, 2014 for her role in “12 Years a Slave.”
In her moving acceptance speech, she noted one source of inspiration for her portrayal of a slave: “It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance.”
She also thanked director Steve McQueen: “You charge everything you fashion with a breath of your own spirit. Thank you so much for putting me in this position, it’s been the joy of my life.”
“That’s when your art becomes more and more successful in the world. It begins with treating yourself with love, respect, kindness, and compassion.”
Those quotes by coach and author Cheryl Richardson relate to her extensive writing and teaching on self-care for creative and highly sensitive people.
She is presenting “Self-Care for the Creative Soul” with Alanis Morissette – a retreat March 2-6, 2014, at Miraval Resort in Tucson, Arizona.
So many people experience unwanted sexual contact, rape and other forms of sexual abuse.
And they often help deal with the aftermath through creative expression, perhaps using art therapy, but more often some other form of creative self-expression.
One of many articles on the topic here on Psych Central, Mental Disorders Often Follow Sexual Abuse by Rick Nauert PhD, reports: “Researchers have discovered that a history of sexual abuse is frequently linked with a lifetime diagnosis of multiple psychiatric disorders…this association held true regardless of the victim’s gender or age when the abuse occurred.”
There are many references and articles on “healing” from sexual abuse and other kinds of trauma, but it is important to keep in mind the emotional and spiritual impacts may endure, at least to some degree; dealing with abuse is not like healing a broken bone.
But experiencing abuse of any kind also does not make us “damaged goods” – see actor Teri Hatcher’s comments below.
The painting is a self portrait by Artemisia Gentileschi (1593-1653). An article notes she was raped by an art tutor of hers, followed by a “highly publicised seven-month trial. This event makes up the central theme of a controversial French film, Artemisia (1998), directed by Agnes Merlet.
How important is it to identify yourself as an artist – to others, and especially to yourself?
What if you don’t get awards for your creative work? What if it isn’t even seen by others?
Are you still an artist if you are doing something else for survival?
Psychologist Robert Maurer has worked with many creative people and researches the dynamics of success. He comments:
“The people who love their craft and see themselves as artists, and carry that identity through and study each day… are the people who thrive. To me, that’s the only definition of success that matters.”
[Continued from Part 1]
“The practice of any art isn’t to make a living, it’s to make your soul grow.”
To be creative at times feels like an almost effortless flow, but creative work may also require a high level of courage and boldness – even to make the choice to do something creative.
“At any time I still expect that the no-talent police will come and arrest me.” Actor, writer, director Mike Myers
Many talented and creative people experience impostor feelings and beliefs about themselves, despite their accomplishments.
Valerie Young, Ed.D. is an expert on impostor syndrome and commented in an Entrepreneur magazine article: “Millions of people, from entrepreneurs to celebrities, have a hard time internalizing their accomplishments.”
The article author notes “the impostor syndrome is especially common among people who become successful quickly or early, and among outsiders, such as women in male-dominated industries.”
Dr. Young adds, “They explain away their success as luck or timing. They feel this sense of waiting for the other shoe to drop.”
From Fake It Until You Make It: How to Believe in Yourself When You Don’t Feel Worthy by Nadia Goodman.
One example is actor Emma Watson, who commented about its impact for her:
“It’s almost like the better I do, the more my feeling of inadequacy actually increases, because I’m just going, Any moment, someone’s going to find out I’m a total fraud, and that I don’t deserve any of what I’ve achieved.
“I can’t possibly live up to what everyone thinks I am and what everyone’s expectations of me are.”
There are many ideas about being creative: You have to wait for a flash of inspiration; You need to be a “genius”; Artists are crazy (or at least flaky); You should be in pain to create, and many other myths which often get in the way of personal creative work, and business innovation.
In his book “The Myths of Creativity” David Burkus, writes about one of the most enduring myths: that creative inspiration comes from an outside source or entity:
“The ancient Greeks told and retold stories of gods, supernatural creatures, and regular mortals as a way to explain how they thought the world worked…They created the muses, who received and answered the prayers of ancient writers, musicians, and even engineers.
“The muses were the bearers of creativity’s divine spark. They were the source of inspiration. Even thinkers as great as Plato believed that poets drew all of their creativity from the muses, so that any works by the poets were really considered works of the muses.”