The 63rd Annual Tony Awards took place last Sunday night, and to my understanding the show was packed with excitement.
Having walked away with 10 of the 15 awards it was nominated for, Billy Elliot was pretty much to the Tony Awards what Twilight was to the MTV Movie Awards; only, to my understanding, better (I love you Twilight, but Best Movie? Really? Against The Dark Knight? It makes no sense).
Impressive!
Bret Michaels broke his face after rocking out to “Nothin’ But a Good Time” with the Rock of Ages cast (unsurprisingly, YouTube is ready to meet all your “I-Gotta-See-That” needs).
Entertaining! Really, I’m glad he’s okay and able to laugh about it. That could have been serious.
And Next to Normal – presently one of the most talked about Broadway shows, if my Google Alerts are any indication – took home three of the 11 nominations it came in with: Alice Ripley won for Best Performance by a Leading Actress in a Musical, Tom Kitt and Michael Starobin won Best Orchestration, and Tom Kitt and Brian Yorkey won Best Original Score Written for the Theatre.
Interesting…
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what would the score for my depression sound like?
a sad melody with crescendos and fortes and runs of slurred scales like ocean waves. A rolling and building like the surf, and then a climax and decrescendo as it flattens out to nothingness. Probably some irritating staccato accented jabs.
Sounds like I am more angry then depressed doesnt it? Maybe its true that depression is repressed anger. Also sadness precedes anger. Hmmmm maybe me and Hugh Grant need to take some anger management classes together.
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